An extraordinary poetic sequence that animates and illuminates the Mau Mau uprising in Kenya in the 1950s, eventually becoming a meditation on the inheritance of conflict and its consequences. It is a thrillingly original, profound and lyrical work.

In The Last Word, Thomas Nagel, a leading philosopher and Professor of Law, presents a sustained defense of reason against the attacks of subjectivism, delivering systematic rebuttals against its many relativistic claims in the fields of language, logic, ethics, and science. He proposes that reason reflects objective principles whose validity is independent of different points ...(展开全部)

If there is such a thing as reason, it has to be universal. Reason must reflect objective principles whose validity is independent of our point of view--principles that anyone with enough intelligence ought to be able to recognize as correct. But this generality of reason is what relativists and subjectivists deny in ever-increasing numbers. And such subjectivism is not just an...(展开全部)

In The Last Word, Thomas Nagel, a leading philosopher and Professor of Law, presents a sustained defense of reason against the attacks of subjectivism, delivering systematic rebuttals against its many relativistic claims in the fields of language, logic, ethics, and science. He proposes that reason reflects objective principles whose validity is independent of different points ...(展开全部)

If there is such a thing as reason, it has to be universal. Reason must reflect objective principles whose validity is independent of our point of view--principles that anyone with enough intelligence ought to be able to recognize as correct. But this generality of reason is what relativists and subjectivists deny in ever-increasing numbers. And such subjectivism is not just an...(展开全部)

An extraordinary poetic sequence that animates and illuminates the Mau Mau uprising in Kenya in the 1950s, eventually becoming a meditation on the inheritance of conflict and its consequences. It is a thrillingly original, profound and lyrical work.

奥娅·巴依达尔（Oya Baydar），土耳其著名女作家。出生于1940年，毕业于伊斯坦布尔大学社会学专业。1972年土耳其军事政变时被捕，之后流亡前苏联、德国等地，1992年回国。从少女时期便开始写作，早期作品深受法国著名女作家弗朗索瓦斯萨冈影响。主要作品有长篇小说《神遗忘了孩子》、《战争的年代，希望的年代》、《猫的信》、《滚烫的尘土》、《失语》等，曾获萨伊特法伊克故事奖、尤努斯纳迪长篇小说奖、地中海文化先驱奖、奥罕克马尔小说奖、塞夫德特库德雷特文学奖、阿克德尼斯库尔图文学奖。

What Charles Rosen's celebrated book "The Classical Style" did for music of the Classical period, this new, much-awaited volume brilliantly does for the Romantic era. An exhilarating exploration of the musical language, forms, and styles of the Romantic period, it captures the spirit that enlivened a generation of composers and musicians, and in doing so it conveys the very sen...(展开全部)

Years have passed since the end of the War of the Lance. The people of Ansalon have rebuilt their lives, their houses, their families. The Companions of the Lance, too, have returned to their homes, raising children and putting the days of their heroic deeds behind them. But peace on Krynn comes at a price. The forces of darkness are ever vigilant, searching for ways to erode ...(展开全部)

What Charles Rosen's celebrated book "The Classical Style" did for music of the Classical period, this new, much-awaited volume brilliantly does for the Romantic era. An exhilarating exploration of the musical language, forms, and styles of the Romantic period, it captures the spirit that enlivened a generation of composers and musicians, and in doing so it conveys the very sen...(展开全部)